Thursday 30 January 2014

Roots sewing series sewalong: a shweshwe dress


Sewing along with Elegance & Elephants' Roots series. If you're ready for a loooooong post, here's my contribution:

When I lived in South Africa I would occasionally go to fancy events where people would arrive dressed in stunningly beautiful heritage outfits. There were glamorous dresses in colourful African fabrics, glittering salwar kameez and saris... and then there was me, all dressed up in... a dress. A boring old dress. And once again I'd find myself wishing that I had my own national costume to wear, the way I would if I were Spanish, Mexican or Scottish. Sadly, there is no Jewish traditional dress, nor is there an Australian one (unless it's thongs and a singlet, or one of those hats with corks bobbing off its brim to keep the flies away).

But as a first-generation Australian, my roots are, in any case, elsewhere. My ancestors came from many different countries, moving around Europe and Eastern Europe negotiating antisemitism, shifting borders and changing opportunities. My mother was born in Germany, my father in South Africa. They passed on to me a sense of rootlessness, a complete indifference to Australian Rules football and a tragic absence of traditional dress. SO unfair.

My itinerant ancestry aside, South Africa, my father's homeland, is a place I feel strongly connected to - so much so that I spent seven years living there in my twenties. And while I will probably never wear one of those super-glamorous African outfits, I have a long relationship with shweshwe, the indigo fabric that was brought to South Africa by missionaries in the 1800s and is now part of traditional culture and ceremonies there. Traditional shweshwe dresses are typically made with a combination of a few different patterned fabrics and are quite ornate, with lots of details such as decorative yokes, embellished pockets, ric-rac and sometimes even embroidery.

Image source: http://www.mdantsaneway.com

It's surprisingly hard to find images of traditional shweshwe dresses, but if you're interested, the blog She Wears Shwe Shwe is a great resource. And a history of the fabric can be found here.

The shweshwe can also be bought in printed skirt panels, and many dresses incorporate these. Indigo is the traditional colour but it has for many years been available in brown and red as well, and can now be found in purple, orange, pink and green for less traditional uses.


As children, my sister and I wore home-made skirts made from this pretty patterned cotton fabric, which my mother bought when visiting Cape Town. And now I have my own small, precious collection, brought over in bits and pieces by my dad, who has really stepped out of his comfort zone by doing my fabric shopping for me. My favourite brand is the iconic Three Cats, once produced in England but now made in South Africa.

Me aged about 6 wearing a Three Cats skirt.


I adore the Three Cats logo printed on the reverse of the shweshwe and the smell of the starch used to stiffen the fabric - this was once done to protect it from insects on the long journey by ship from England to South Africa, but is now done purely for the sake of tradition. The fabric is stiff when you buy it, but gets softer and softer with washing.

So my 'roots' outfit for my daughter represents one branch of my family tree - the one with the strongest personal significance, and the most positive memories. Like the shweshwe dresses of adult South African women, and like my childhood skirts, R's dress is modest, much longer than I would usually make for her. It incorporates two fabrics: white-spotted indigo 'Three Cats' shweshwe, and indigo red-and-white printed Kwa Mtapuna shweshwe, supposedly 'double sided' (I say supposedly because the print on the reverse is far less bright than the one on the front). For the pattern I used the beautiful dress 'T' from 'Girly Style Wardrobe', the construction of which was like a puzzle I had to unravel, given the almost complete absence of instructions. But hey, I did it!




For the back closure I used an invisible zip (not sure what the Japanese language instructions were indicating, but I've become used to inserting this kind of zip now). The little belt around the waist is held in place by three thread chain loops and I used this great tutorial from Oliver + S to make them. I was surprised how easy it was!


Inside the bodice a Three Cats logo is hiding...


 And my little African-European-Jewish-Anglo-Australian daughter loves it.






16 comments:

  1. This is such a beautiful dress! And I love the history and heritage that it is inspired by. Thank you so much for sewing along.

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    1. Thanks for running the series Heidi, it's such a lovely idea.

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  2. Wow, this is beautiful, marisa! Well, as a pure Japanese just only having roots in Japan, I'm kind of envy of you guys who have mixed cultural backgrounds :) How funny! I'm trying to sew along with Roots sewing series too. It's so fun to see everyone's creation and hear the stories behind them!

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    1. Thanks Shino, I'll look out for your sewalong project. I thought of you today - there was an article in the newspaper about the snow in Alabama and how the weatherman got it wrong.

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  3. You did a great job on the dress! I love the fabrics you chose. I also enjoyed learning about your mixed heritage. Keep up the good work :D

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  4. I really enjoyed reading the story behind this dress, and the dress is beautiful! Good on dad for being your personal fabric shopper :)

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    1. Thank you! I always find it amusing to think of dad in the fabric shop, trying to work out what I'd like...

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  5. This is a beautiful dress. The fabrics work perfectly with the pattern and I LOVE the logo on the inside.

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    1. Yes, I wish more fabrics had cool logos on the reverse. Makes for less confusing sewing, too, because I have often have trouble telling right side from wrong side...

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  6. The dress is beautiful, and the inspiration behind it is fascinating.
    When I was little my Aunt and Uncle lived over in Ethiopia and they brought back some beautiful fabric, one piece of which I still have. It is an indigo, red and white print, absolutely gorgeous. I still don't know what I am going to do with it, cut it up or just save it. All credit to you for cutting into some of your precious collection.

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    1. Thanks Katy. The Ethiopian fabric sounds beautiful - I understand how hard it would be to use it! I've just ordered some more shweshwe to replenish my supplies...

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  7. That's quite a heritage:-) I enjoyed reading your account, and I think its a beautiful rendition of a traditional dress. As usual fabulous fabric choices.

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    1. Glad you enjoyed reading my epic! My dad has just arrived in Australia with some more South African fabric for me - very exciting :)

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  8. This dress is sooooo beautiful ♥

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    1. Thank you, it's probably R's favourite out of all the dresses I've made. I'm waiting for an excuse to sew another one - such a lovely pattern.

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